Bauhaus Center Tel Aviv https://bauhaus-center.com Tours, Shop, Exhibitions, Information Sun, 30 Mar 2025 07:09:06 +0000 en-US hourly 1 https://wordpress.org/?v=6.1.7 https://bauhaus-center.com/wp-content/uploads/2017/10/cropped-Bauhaus-Center-Tel-Aviv-Israel-1-32x32.gifBauhaus Center Tel Avivhttps://bauhaus-center.com 32 32 Shimon Edenburg ¨ Via Fractalis ¨https://bauhaus-center.com/shimon-edenburg-%c2%a8-via-fractalis-%c2%a8/ Sun, 30 Mar 2025 07:01:00 +0000 https://bauhaus-center.com/?p=6034

Shimon Edenburg ¨ Via Fractalis ¨Photo exhibition curated by Professor Giuseppe Scaglione architect from Trento University, Italia Architectures Suspended Between Heaven and Fractals It is said that architects, a bit like artists, always have their heads in the clouds!In the case of Shimon Edenburg, architect, urban planner, artist, photographer, and visionary, this is undoubtedly true because he has had and continues to have a gaze suspended between earth and sky, to which recently, in the "in between," he has added observation, study, and a passion for fractals. Shimon spoke to me about this during a meeting in preparation for his exhibition, with a fascinating description that transcended the boundaries of mathematics, algebra, numbers, and calculus, to reach the conclusion that, ultimately, all of our lives are more or less "fractalized." It was a revelation that did not take me by surprise because, following some artistic trajectories, starting with the splendid drawings of Maurits Cornelis Escher imbued with fractals and algebraic references, I have always been intrigued by this type of expression of intelligence in which the balance between form and rule, invention and calculation, have yielded extraordinary results. As a simple introduction, for the reader and myself, I write here that the name "fractal" may be related to a less striking property than self-similarity, a property that is nonetheless very interesting when viewed from a mathematical perspective, since those who study this type of phenomenon say that "fractals have a fractional dimension, that is, not an integral one." Consequently, Shimon Edenburg's creative work is based on the consideration that fractal images are graphics that are also the result of calculations, and consequently, the fractal animations of his dreamlike and evocative images are sequences of these graphics. But let's move on to the images and content. Shimon is an expert architect and urban planner; he has traveled, worked, designed, and written, and thus explored different expressive worlds. At a certain point in his career, his famous zenithal gaze began to soar over rooftops, over attics, over the suggestive and sometimes elusive relationship between sky and earth, architecture and the liquid horizon; Parisian attics seem to have captured him. In particular, I would say of Northern European cities, these particular, almost parasitic micro-architectures, located at the end of the sequence of different building floors that add up and form the "upper" part of our cities. The transitions between building and sky have thus become the privileged starting point for an experimentation that Edenburg has been carrying out for several years and which he is constantly refining, both technically and expressively, to the point of giving it a title that has become a true ongoing investigation: "Via Fractalis Project," through which he explores cities and architecture, urban interiors and inhabited spaces, dreams, visions, possible projects, and parallel universes. What strikes me most about this work are a few things that particularly catch my attention, and I believe they have the same effect on any observer, even inexperienced ones. These are: the playful dimension, yet with great formal and spatial control, of the different figures and the references, even complex ones, to different currents of modern art, including video art and NET art, which may be the next frontier Shimon will be able to reach, because these "liquid" works of his are also and above all effective on our screens. The work exhibited in this exhibition in Tel Aviv, ​​at the Bauhaus Center space, is heavily influenced by those fugues that move between the figure and the abstract, between exploding color and controlled color, between the suggestion of a different form of "smart city" and the houses that grow in Shimon's mind and in our daily augmented reality.So I wonder what kind of city we live in, inhabit, and frequent: the one we see only with our eyes, or the one the works on display offer us? And since we're talking about fractals, that is, "fractalized" images, but also recomposed, refracted images, we can decide to see everything that fascinates and intrigues us in these works, even beyond the images themselves. Puzzles that compose revisited real landscapes, changing moons, blue, turquoise, green, and red skies, Warhol and Vitruvius, the beautiful deconstruction of the barcelonian Agbar Tower, the multiplication of mansard roofs in Paris, the black and white from which the red signs emerge, domes that expand—in short, the works of this original artist who entertains and intrigues us, taking us to other universes to discover, like a trip to the Moon or even further afield to Mars. They are complex architectures, suspended between the sky and fractals and the "wise game." The result is so balanced between the artist and us that it almost makes us want to come and live in this suggestive reality that Edenburg offers us. His diverse cultural backgrounds span Argentina, Israel, and Spain, and arrive in the fertile Barcelona, ​​first as an architect and urban planner, then as a theorist, and then as an artist, without leaving any of the contemporary expressive possibilities outside his field of action. What does this research hold for us in the future? We don't know, perhaps not even its author knows, but we are sure that it will undoubtedly continue to surprise us even beyond the modes of art and representation. ]]>

Shimon Edenburg ¨ Via Fractalis ¨Photo exhibition curated by Professor Giuseppe Scaglione architect from Trento University, Italia Architectures Suspended Between Heaven and Fractals It is said that architects, a bit like artists, always have their heads in the clouds!In the case of Shimon Edenburg, architect, urban planner, artist, photographer, and visionary, this is undoubtedly true because he has had and continues to have a gaze suspended between earth and sky, to which recently, in the "in between," he has added observation, study, and a passion for fractals. Shimon spoke to me about this during a meeting in preparation for his exhibition, with a fascinating description that transcended the boundaries of mathematics, algebra, numbers, and calculus, to reach the conclusion that, ultimately, all of our lives are more or less "fractalized." It was a revelation that did not take me by surprise because, following some artistic trajectories, starting with the splendid drawings of Maurits Cornelis Escher imbued with fractals and algebraic references, I have always been intrigued by this type of expression of intelligence in which the balance between form and rule, invention and calculation, have yielded extraordinary results. As a simple introduction, for the reader and myself, I write here that the name "fractal" may be related to a less striking property than self-similarity, a property that is nonetheless very interesting when viewed from a mathematical perspective, since those who study this type of phenomenon say that "fractals have a fractional dimension, that is, not an integral one." Consequently, Shimon Edenburg's creative work is based on the consideration that fractal images are graphics that are also the result of calculations, and consequently, the fractal animations of his dreamlike and evocative images are sequences of these graphics. But let's move on to the images and content. Shimon is an expert architect and urban planner; he has traveled, worked, designed, and written, and thus explored different expressive worlds. At a certain point in his career, his famous zenithal gaze began to soar over rooftops, over attics, over the suggestive and sometimes elusive relationship between sky and earth, architecture and the liquid horizon; Parisian attics seem to have captured him. In particular, I would say of Northern European cities, these particular, almost parasitic micro-architectures, located at the end of the sequence of different building floors that add up and form the "upper" part of our cities. The transitions between building and sky have thus become the privileged starting point for an experimentation that Edenburg has been carrying out for several years and which he is constantly refining, both technically and expressively, to the point of giving it a title that has become a true ongoing investigation: "Via Fractalis Project," through which he explores cities and architecture, urban interiors and inhabited spaces, dreams, visions, possible projects, and parallel universes. What strikes me most about this work are a few things that particularly catch my attention, and I believe they have the same effect on any observer, even inexperienced ones. These are: the playful dimension, yet with great formal and spatial control, of the different figures and the references, even complex ones, to different currents of modern art, including video art and NET art, which may be the next frontier Shimon will be able to reach, because these "liquid" works of his are also and above all effective on our screens. The work exhibited in this exhibition in Tel Aviv, ​​at the Bauhaus Center space, is heavily influenced by those fugues that move between the figure and the abstract, between exploding color and controlled color, between the suggestion of a different form of "smart city" and the houses that grow in Shimon's mind and in our daily augmented reality.So I wonder what kind of city we live in, inhabit, and frequent: the one we see only with our eyes, or the one the works on display offer us? And since we're talking about fractals, that is, "fractalized" images, but also recomposed, refracted images, we can decide to see everything that fascinates and intrigues us in these works, even beyond the images themselves. Puzzles that compose revisited real landscapes, changing moons, blue, turquoise, green, and red skies, Warhol and Vitruvius, the beautiful deconstruction of the barcelonian Agbar Tower, the multiplication of mansard roofs in Paris, the black and white from which the red signs emerge, domes that expand—in short, the works of this original artist who entertains and intrigues us, taking us to other universes to discover, like a trip to the Moon or even further afield to Mars. They are complex architectures, suspended between the sky and fractals and the "wise game." The result is so balanced between the artist and us that it almost makes us want to come and live in this suggestive reality that Edenburg offers us. His diverse cultural backgrounds span Argentina, Israel, and Spain, and arrive in the fertile Barcelona, ​​first as an architect and urban planner, then as a theorist, and then as an artist, without leaving any of the contemporary expressive possibilities outside his field of action. What does this research hold for us in the future? We don't know, perhaps not even its author knows, but we are sure that it will undoubtedly continue to surprise us even beyond the modes of art and representation. ]]>
COLOR LINE ZERO | By KOBIAYASHIhttps://bauhaus-center.com/color-line-zero-by-kobiayashi/ Tue, 07 Jan 2025 22:01:22 +0000 https://bauhaus-center.com/?p=5887

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MOISEI GINZBURG | Soviet Architecture and Dwellinghttps://bauhaus-center.com/moisei-ginzburg-soviet-architecture-and-dwelling/ Fri, 08 Nov 2024 22:38:49 +0000 https://bauhaus-center.com/?p=5864

MOISEI GINZBURG | Soviet Architecture and DwellingMoisei Yakovlevich Ginzburg (Minsk 1892 – Moscow 1944) was one of the most important and versatile modern architects of the twentieth century and the foremost theoretician and practitioner of Russian Constructivism in the 1920s. He earned his architectural and engineering degrees in Milan and Moscow during WWI and worked as an architect in Crimea during the Russian Revolution. This exhibition celebrates 100 years since the publication of "Style and Epoch" and sheds new light on Ginzburg’s prolific career. Opening reception with Curator Bennett Tucker (English) When: 10 November 2024, 18:00 Where: Dizengoff 77 Tel-Aviv See you there! 🤗 * מויסי גינזבורג | אדריכלות ודיור סובייטיםמויסי יעקובלביץ' גינזבורג (מינסק 1892 - מוסקבה 1944) היה אחד האדריכלים המודרניים החשובים והרבגוניים של המאה ה-20. גינזבורג היה התיאורטיקן והיוצר המוביל של הקונסטרוקטיביזם הרוסי בשנות ה-20. לאחר שזכה בתארים באדריכלות ובהנדסה מאוניברסיטאות מילאנו ומוסקבה במהלך מלחמת העולם הראשונה, הוא עבד כאדריכל בחצי האי קרים בתקופת המהפכה הרוסית. תערוכה זו חוגגת 100 שנים לפרסום ספרו "סגנון ועידן" ומאירה באור חדש את הקריירה הפורייה של גינזבורג. קבלת פנים ופתיחה עם האוצר בנט טאקר (אנגלית) מתי: 10 בנובמבר 2024, 18:00 איפה: דיזנגוף 77 תל אביב נתראה! 🤗 *Моисей Гинзбург | Советская архитектура и жилье Моисей Яковлевич Гинзбург (Минск 1892 Москва 1944) был одним из самых значительных и разносторонних современных архитекторов ХХ века, ведущим теоретиком и практиком русского конструктивизма 1920-х годов. Во время Первой мировой войны он получил архитектурное и инженерное образование в Милане и Москве, а во время Русской революции работал архитектором в Крыму. Эта выставка отмечает 100-летие со дня выхода в свет "Стиля и эпохи" и проливает новый свет на плодотворную карьеру Гинзбурга. Прием по случаю открытия с куратором Беннетом Такером (Английский) Когда: 10 ноября 2024, 18:00 Где: Дизенгоф 77 Тель-Авив]]>

MOISEI GINZBURG | Soviet Architecture and DwellingMoisei Yakovlevich Ginzburg (Minsk 1892 – Moscow 1944) was one of the most important and versatile modern architects of the twentieth century and the foremost theoretician and practitioner of Russian Constructivism in the 1920s. He earned his architectural and engineering degrees in Milan and Moscow during WWI and worked as an architect in Crimea during the Russian Revolution. This exhibition celebrates 100 years since the publication of "Style and Epoch" and sheds new light on Ginzburg’s prolific career. Opening reception with Curator Bennett Tucker (English) When: 10 November 2024, 18:00 Where: Dizengoff 77 Tel-Aviv See you there! 🤗 * מויסי גינזבורג | אדריכלות ודיור סובייטיםמויסי יעקובלביץ' גינזבורג (מינסק 1892 - מוסקבה 1944) היה אחד האדריכלים המודרניים החשובים והרבגוניים של המאה ה-20. גינזבורג היה התיאורטיקן והיוצר המוביל של הקונסטרוקטיביזם הרוסי בשנות ה-20. לאחר שזכה בתארים באדריכלות ובהנדסה מאוניברסיטאות מילאנו ומוסקבה במהלך מלחמת העולם הראשונה, הוא עבד כאדריכל בחצי האי קרים בתקופת המהפכה הרוסית. תערוכה זו חוגגת 100 שנים לפרסום ספרו "סגנון ועידן" ומאירה באור חדש את הקריירה הפורייה של גינזבורג. קבלת פנים ופתיחה עם האוצר בנט טאקר (אנגלית) מתי: 10 בנובמבר 2024, 18:00 איפה: דיזנגוף 77 תל אביב נתראה! 🤗 *Моисей Гинзбург | Советская архитектура и жилье Моисей Яковлевич Гинзбург (Минск 1892 Москва 1944) был одним из самых значительных и разносторонних современных архитекторов ХХ века, ведущим теоретиком и практиком русского конструктивизма 1920-х годов. Во время Первой мировой войны он получил архитектурное и инженерное образование в Милане и Москве, а во время Русской революции работал архитектором в Крыму. Эта выставка отмечает 100-летие со дня выхода в свет "Стиля и эпохи" и проливает новый свет на плодотворную карьеру Гинзбурга. Прием по случаю открытия с куратором Беннетом Такером (Английский) Когда: 10 ноября 2024, 18:00 Где: Дизенгоф 77 Тель-Авив]]>
The World of Jan Vermeer – Lecture by Roman Grigoryev (Russian)https://bauhaus-center.com/the-world-of-jan-vermeer-lecture-by-roman-grigoryev-russian/ Tue, 16 Jan 2024 09:46:17 +0000 https://bauhaus-center.com/?p=5805

The World of Jan Vermeer - Lecture by Roman Grigoryev (Russian)
On January 28th the Bauhaus Center will host a new lecture by Roman Grigoryev this time he will delve into the world of Jan Vermeer!Roman Grigoriev is an art scientist, custodian of Dutch engraving in the Hermitage (1992-2022) and a professor at the European University in St. Petersburg (2000 to 2023).Let's talk about an artist, loved and appreciated by contemporaries - residents of Delft and the Netherlands, but who never achieved popularity compared to the Flemish Rubens or his countryman Rembrandt.Let's learn about the oddities of the biography of a man who spent his whole century in his hometown, who did not go to Italy like 99% of his colleagues, died in poverty and left a widow with a lot of debts and several paintings. Let's talk about the fates of the canvases themselves, let's try to understand for whom they were created as an artist, and how they were perceived, in other words - "read".Who is the girl with the pearl earring? Is it true Vermeer's maid, as the creators of the movie with Scarlett Johansson are trying to convince us, or is it not a portrait of a real person at all? And in general, is this a pearl earring? Who else wore such earrings, and what happened to the painting 350 years after its creation. We will talk about issues of Faith in the Republic of the United States and related paintings by Vermeer.When: January 28, 2023 18:00Where: 77 Dizegof Tel AvivThe price is 80 NISLanguage : RussianTo register for the lecture, write to: events@bauhaus-center.com
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The World of Jan Vermeer - Lecture by Roman Grigoryev (Russian)
On January 28th the Bauhaus Center will host a new lecture by Roman Grigoryev this time he will delve into the world of Jan Vermeer!Roman Grigoriev is an art scientist, custodian of Dutch engraving in the Hermitage (1992-2022) and a professor at the European University in St. Petersburg (2000 to 2023).Let's talk about an artist, loved and appreciated by contemporaries - residents of Delft and the Netherlands, but who never achieved popularity compared to the Flemish Rubens or his countryman Rembrandt.Let's learn about the oddities of the biography of a man who spent his whole century in his hometown, who did not go to Italy like 99% of his colleagues, died in poverty and left a widow with a lot of debts and several paintings. Let's talk about the fates of the canvases themselves, let's try to understand for whom they were created as an artist, and how they were perceived, in other words - "read".Who is the girl with the pearl earring? Is it true Vermeer's maid, as the creators of the movie with Scarlett Johansson are trying to convince us, or is it not a portrait of a real person at all? And in general, is this a pearl earring? Who else wore such earrings, and what happened to the painting 350 years after its creation. We will talk about issues of Faith in the Republic of the United States and related paintings by Vermeer.When: January 28, 2023 18:00Where: 77 Dizegof Tel AvivThe price is 80 NISLanguage : RussianTo register for the lecture, write to: events@bauhaus-center.com
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Upcoming Events at the Bauhaus Centerhttps://bauhaus-center.com/events/ Tue, 16 Jan 2024 06:52:34 +0000 https://bauhaus-center.com/?p=5666

Find below a list of upcoming events at the Bauhaus Center. For more details and tickets: Visit Bauhaus Center on Allevents.in >>]]>

Find below a list of upcoming events at the Bauhaus Center. For more details and tickets: Visit Bauhaus Center on Allevents.in >>]]>
Drawing Course with Victor Melamed | Every Wednesdayhttps://bauhaus-center.com/drawing-course-with-victor-melamed-every-wednesday/ Tue, 19 Dec 2023 17:57:13 +0000 https://bauhaus-center.com/?p=5776

Drawing Course with Victor Melamed !
Victor Melamed is not only a renowned self-taught illustrator who has worked for New Yorker Rolling Stone and around 20 other magazines but also an experienced teacher.Melamed has run an illustration course for 12 years at the British Higher School of Design. He is an author of the book ‘The Machinery of Portrait.’ Victor believes that drawing can be viewed from various perspectives: as mere craft a means of visual thinking a sport a game a therapy a performance a party trick a mystical practice.He is confident that everyone can find their unique approach. This course will undoubtedly transform your drawing process and reveal new directions and possibilities regardless of your experience.When: Every Wednesday 18:00-21:00Cost: 200 NIS for a three-hour workshop.It is possible to pay separately for each lesson or to pay for several lessons at once.Where: Dizengoff 77 Tel AvivLanguage: EnglishFor information and registration please email: events@bauhaus-center.com
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Drawing Course with Victor Melamed !
Victor Melamed is not only a renowned self-taught illustrator who has worked for New Yorker Rolling Stone and around 20 other magazines but also an experienced teacher.Melamed has run an illustration course for 12 years at the British Higher School of Design. He is an author of the book ‘The Machinery of Portrait.’ Victor believes that drawing can be viewed from various perspectives: as mere craft a means of visual thinking a sport a game a therapy a performance a party trick a mystical practice.He is confident that everyone can find their unique approach. This course will undoubtedly transform your drawing process and reveal new directions and possibilities regardless of your experience.When: Every Wednesday 18:00-21:00Cost: 200 NIS for a three-hour workshop.It is possible to pay separately for each lesson or to pay for several lessons at once.Where: Dizengoff 77 Tel AvivLanguage: EnglishFor information and registration please email: events@bauhaus-center.com
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Lino printing class and Tel Aviv urban history for beginners: “Architecture in Linoprint”https://bauhaus-center.com/lino-printing-class-and-tel-aviv-urban-history-for-beginners-architecture-in-linoprint/ Tue, 19 Dec 2023 17:43:35 +0000 https://bauhaus-center.com/?p=5770

Lino printing class and Tel Aviv urban history for beginners: “Architecture in Linoprint”
We are happy to invite you to participate in the Lino printing class and Tel Aviv urban history for beginners: “Architecture in Linoprint”4 sessions to work on linoleum prints of different architectural styles in Tel Aviv.Actual buildings streets and maps will be our guiding lines.As we go inevitably we will also learn some history of the city.21.12.23 Part 1 - Brutalism28.12.23 Part 2 - International Style04.01.24 Part 3 - Eclectic11.01.24 Part 4 - Postmodernism in Tel AvivThe price for the each session is 200 nis - the price includes all materials.Each session is about 2.5 hours.Thursdays 18:00-20:30Bauhaus CenterDizengoff 77 Tel AvivFor more information:Uliana: 0545436578Bauhaus Center: 035220249See you there!***שמחים להזמין אתכם להשתתף בסדנת הדפס לינולאום והיסטוריה למתחילים: “אדריכלות בהדפס לינולאום”4 מפגשים בהם נעבוד על הדפסים של סגנונות האדריכלות בתל אביב ועל הדרך נלמד גם קצת היסטוריה למה לא.נתעסק בבניינים רחובות ומפות.21.12.23 חלק 1 - ברוטליזם28.12.23 חלק 2 - הסגנון הבינלאומי04.01.24 חלק 3 - אקלקטי11.01.24 חלק 4 - פוסט מודרניזם באדריכלותהמחיר למפגש 200 ש”ח - המחיר כולל את כל החומרים.אורך כל מפגש כשעתיים וחצי.ימי חמישי 18:00 - 20:30מרכז באוהאוסדיזנגוף 77 תל אביב.לפרטים נוספים:אוליאנה: 0545436578מרכז באוהאוס: 035220249מחכים לכם שם!
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Lino printing class and Tel Aviv urban history for beginners: “Architecture in Linoprint”
We are happy to invite you to participate in the Lino printing class and Tel Aviv urban history for beginners: “Architecture in Linoprint”4 sessions to work on linoleum prints of different architectural styles in Tel Aviv.Actual buildings streets and maps will be our guiding lines.As we go inevitably we will also learn some history of the city.21.12.23 Part 1 - Brutalism28.12.23 Part 2 - International Style04.01.24 Part 3 - Eclectic11.01.24 Part 4 - Postmodernism in Tel AvivThe price for the each session is 200 nis - the price includes all materials.Each session is about 2.5 hours.Thursdays 18:00-20:30Bauhaus CenterDizengoff 77 Tel AvivFor more information:Uliana: 0545436578Bauhaus Center: 035220249See you there!***שמחים להזמין אתכם להשתתף בסדנת הדפס לינולאום והיסטוריה למתחילים: “אדריכלות בהדפס לינולאום”4 מפגשים בהם נעבוד על הדפסים של סגנונות האדריכלות בתל אביב ועל הדרך נלמד גם קצת היסטוריה למה לא.נתעסק בבניינים רחובות ומפות.21.12.23 חלק 1 - ברוטליזם28.12.23 חלק 2 - הסגנון הבינלאומי04.01.24 חלק 3 - אקלקטי11.01.24 חלק 4 - פוסט מודרניזם באדריכלותהמחיר למפגש 200 ש”ח - המחיר כולל את כל החומרים.אורך כל מפגש כשעתיים וחצי.ימי חמישי 18:00 - 20:30מרכז באוהאוסדיזנגוף 77 תל אביב.לפרטים נוספים:אוליאנה: 0545436578מרכז באוהאוס: 035220249מחכים לכם שם!
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“The Jewish aspect in the world of comics and storytelling”.https://bauhaus-center.com/the-jewish-aspect-in-the-world-of-comics-and-storytelling/ Thu, 03 Aug 2023 08:51:48 +0000 https://bauhaus-center.com/?p=5694

Artist Architect and Art Essayist Evgeny Zhilinsky will give a lecture on the topic:"Paper Cinema from Joe Shuster to Joann Sfar. Jewish Aspect in World Comics Art and Storytelling"."Sequential art" or "ninth muse" discovers and reflects the migrant identity using visual and verbal tools.The most famous and influential genre in Modern Pop culture armed with it's Jewish Background turns "yellow" entertaining reading into demand philosophy._________________________________________________________________________3 августа художник и архитектор Евгений Жилинский прочитает лекцию на тему: «Бумажное кино от Джо Шустера до Жоанна Сфара. Еврейский аспект в мировом искусстве комиксов и сторителлинге». «Последовательное искусство» или «девятая муза» обнаруживает в себе и выражает идентичность мигрантов с помощью визуальных и вербальных средств. Самый известный и влиятельный жанр современной поп-культуры вооруженный своим еврейским происхождением превращает «желтое» развлекательное чтиво в современную востребованную философию.Когда: 3 августа 18:00Где: Дизенгоф 77Стоимость: 80 NISЯзык: русский]]>

Artist Architect and Art Essayist Evgeny Zhilinsky will give a lecture on the topic:"Paper Cinema from Joe Shuster to Joann Sfar. Jewish Aspect in World Comics Art and Storytelling"."Sequential art" or "ninth muse" discovers and reflects the migrant identity using visual and verbal tools.The most famous and influential genre in Modern Pop culture armed with it's Jewish Background turns "yellow" entertaining reading into demand philosophy._________________________________________________________________________3 августа художник и архитектор Евгений Жилинский прочитает лекцию на тему: «Бумажное кино от Джо Шустера до Жоанна Сфара. Еврейский аспект в мировом искусстве комиксов и сторителлинге». «Последовательное искусство» или «девятая муза» обнаруживает в себе и выражает идентичность мигрантов с помощью визуальных и вербальных средств. Самый известный и влиятельный жанр современной поп-культуры вооруженный своим еврейским происхождением превращает «желтое» развлекательное чтиво в современную востребованную философию.Когда: 3 августа 18:00Где: Дизенгоф 77Стоимость: 80 NISЯзык: русский]]>
Konstantin Melnikov: Genius, Fame, Hatred and Oblivionhttps://bauhaus-center.com/konstantin-melnikov-genius-fame-hatred-and-oblivion/ Sun, 23 Jul 2023 13:37:07 +0000 https://bauhaus-center.com/?p=5680

Konstantin Melnikov: Genius Fame Hatred and OblivionJournalist TV presenter and author of programs on television and radio about history and culture Vladimir Raevskiy will give an author's lecture about the outstanding architect of the Russian avant-garde included in all world textbooks Konstantin Melnikov:- How did a peasant boy become the most sophisticated architect of the era?- How to understand his architecture?- What you need to know: what is Lenin's sarcophagus made of?- "Shameless trickery" and "total confusion" - why did they hate Melnikov?- How can an architect survive with a ban on his profession?______________________________________________________________________________________On July 27 at the Bauhaus Center Vladimir Raevsky @vipsauna will give a lecture on Konstantin Melnikov.Владимир Раевский — журналист телеведущий автор программ на телевидении и радио об истории и культуре — прочтёт авторскую лекцию о выдающемся архитекторе русского авангарда вошедшем во все мировые учебники — Константине Мельникове:- Как крестьянский мальчик стал самым утончённым архитектором эпохи?- Как смотреть и понимать его архитектуру?- Что нужно знать: из чего сделан саркофаг Ленина?- «Беззастенчивое трюкачество» и «сплошной сумбур» — за что возненавидели Мельникова?- Как выжить архитектору с запретом на профессию?Когда: 27 июля в 18:00Где: Дизенгоф 77Стоимость: 80 шекелейЯзык: русскийЧтобы зарегистрироваться пишите на почту: events@bauhaus-center.com]]>

Konstantin Melnikov: Genius Fame Hatred and OblivionJournalist TV presenter and author of programs on television and radio about history and culture Vladimir Raevskiy will give an author's lecture about the outstanding architect of the Russian avant-garde included in all world textbooks Konstantin Melnikov:- How did a peasant boy become the most sophisticated architect of the era?- How to understand his architecture?- What you need to know: what is Lenin's sarcophagus made of?- "Shameless trickery" and "total confusion" - why did they hate Melnikov?- How can an architect survive with a ban on his profession?______________________________________________________________________________________On July 27 at the Bauhaus Center Vladimir Raevsky @vipsauna will give a lecture on Konstantin Melnikov.Владимир Раевский — журналист телеведущий автор программ на телевидении и радио об истории и культуре — прочтёт авторскую лекцию о выдающемся архитекторе русского авангарда вошедшем во все мировые учебники — Константине Мельникове:- Как крестьянский мальчик стал самым утончённым архитектором эпохи?- Как смотреть и понимать его архитектуру?- Что нужно знать: из чего сделан саркофаг Ленина?- «Беззастенчивое трюкачество» и «сплошной сумбур» — за что возненавидели Мельникова?- Как выжить архитектору с запретом на профессию?Когда: 27 июля в 18:00Где: Дизенгоф 77Стоимость: 80 шекелейЯзык: русскийЧтобы зарегистрироваться пишите на почту: events@bauhaus-center.com]]>
Architecture in Flip-Flops: Bat Yam, 1920-1990 | Daphna Levinehttps://bauhaus-center.com/architecture-in-flip-flops-bat-yam-1920-1990-daphna-levine/ Mon, 22 May 2023 17:53:14 +0000 https://bauhaus-center.com/?p=5552

The wide variety of building types solidified in Bat Yam during the first few decades resembles a pastiche of architectural catalogs. Over the years, Bat Yam has provided space for Israeli social and architectural experimentation. Under the city's overarching blueprint, Zionism's narrative unfolded, and so did the everyday tales of city life. Massive investments in real estate in the last decade and effervescent plans for urban regeneration highlight the need to formulate Bat Yam's unique urban narrative and examine how the elusive Bat Yam character expresses itself. Now is the time to think of Bat Yam as a fascinating place derivative of the Zionist project. It is the right time to think of Bat Yam and cities like it as the front room of Israeli residence, as a display of needs, actions, and the forces at play. It's time to think of Bat Yam as prose.Dr. Daphna Levine is an architect and urban renewal researcher. As director of the strategic planning department in the Bat Yam municipality, she led the city's conservation plan; this book is the product of this fascinating endeavor. 

" [...] בת ים, עיר שנדמתה בעיני התמות כאילו פוסלה בחול ובמלח, וחופה פלש לרחובותיה. תושבי העיר דשדשו לכל מקום בכפכפיהם האדומים-שחורים [...] שמשיות צהובות לבלבו במרפסות כחבצלות [...] חלפתי על פני בניינים שנצרבו והשחימו ברבות השנים, ושלאורך קירותיהם התנחשו צינורות ומרזבים, חוטי חשמל שחורים שעליהם התנפנפה כביסה צבעונית, בעיקר בגדים תחתונים, גופיות מחוררות, חזיות מלמלה ודגלי ישראל [...] "

(בעז גאון, אליהו מחפש אהבה, 2017, זמורה ביתן)

בת ים, שנולדה בשנות ה-20 של המאה העשרים, שימשה לאורך השנים שדה פורה לניסויים חברתיים ואדריכליים בישראל, ומגוון טיפוסי הבנייה שנוצקו אליה הותכו יחדיו למעין קטלוג אדריכלי. תחת שרביט התכנון ובאמצעותו נרקמו הסיפורים הגדולים של הציונות, כמו גם הסיפורים האנושיים הקטנים של חיי היום־יום, ופרחה עיר שכל רצונה הוא להיות היא עצמה: להתגלש על גג הבטון של עמיגור, לרוץ באימה לאורכו של בית חולים הגפן, להתגלגל בדיונות, להתנשק בקולנוע העצמאות.

לנוכח ההשקעות המסיביות בנדל"ן והפופולריות הגוברת של תוכניות ההתחדשות העירונית בעשור האחרון, עולה הצורך לגבש את הסיפור העירוני הייחודי של העיר ולברר מהו בדיוק הדבר ה"בת־ימי" החמקמק הזה; מה בהיסטוריה הבנויה של בת ים ראוי לשימור וממה אפשר להיפרד למען פיתוח והתחדשות. זו העת לשאול מהו הסיפור שבת ים רוצה לספר; זו העת לחשוב את בת ים כפרוזה.

ד"ר דפנה לוין היא אדריכלית וחוקרת התחדשות עירונית. במסגרת תפקידה כמנהלת היחידה לתכנון אסטרטגי בעיריית בת ים היא הובילה את תוכנית השימור של העיר; הספר הזה הוא תוצר של עשייה מרתקת זו. ספריה הקודמים: המרחב השלישי (רסלינג, 2016); בית אינו אפס עיר (הטכניון, 2022); דֶלפין (הקיבוץ המאוחד, ספריית פועלים, 2023).

אדריכלות בכפכפים: בת ים 1990-1920
דפנה לוין
Architecture in Flip-Flops: Bat Yam, 1920-1990
Daphna Levine
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The wide variety of building types solidified in Bat Yam during the first few decades resembles a pastiche of architectural catalogs. Over the years, Bat Yam has provided space for Israeli social and architectural experimentation. Under the city's overarching blueprint, Zionism's narrative unfolded, and so did the everyday tales of city life. Massive investments in real estate in the last decade and effervescent plans for urban regeneration highlight the need to formulate Bat Yam's unique urban narrative and examine how the elusive Bat Yam character expresses itself. Now is the time to think of Bat Yam as a fascinating place derivative of the Zionist project. It is the right time to think of Bat Yam and cities like it as the front room of Israeli residence, as a display of needs, actions, and the forces at play. It's time to think of Bat Yam as prose.Dr. Daphna Levine is an architect and urban renewal researcher. As director of the strategic planning department in the Bat Yam municipality, she led the city's conservation plan; this book is the product of this fascinating endeavor. 

" [...] בת ים, עיר שנדמתה בעיני התמות כאילו פוסלה בחול ובמלח, וחופה פלש לרחובותיה. תושבי העיר דשדשו לכל מקום בכפכפיהם האדומים-שחורים [...] שמשיות צהובות לבלבו במרפסות כחבצלות [...] חלפתי על פני בניינים שנצרבו והשחימו ברבות השנים, ושלאורך קירותיהם התנחשו צינורות ומרזבים, חוטי חשמל שחורים שעליהם התנפנפה כביסה צבעונית, בעיקר בגדים תחתונים, גופיות מחוררות, חזיות מלמלה ודגלי ישראל [...] "

(בעז גאון, אליהו מחפש אהבה, 2017, זמורה ביתן)

בת ים, שנולדה בשנות ה-20 של המאה העשרים, שימשה לאורך השנים שדה פורה לניסויים חברתיים ואדריכליים בישראל, ומגוון טיפוסי הבנייה שנוצקו אליה הותכו יחדיו למעין קטלוג אדריכלי. תחת שרביט התכנון ובאמצעותו נרקמו הסיפורים הגדולים של הציונות, כמו גם הסיפורים האנושיים הקטנים של חיי היום־יום, ופרחה עיר שכל רצונה הוא להיות היא עצמה: להתגלש על גג הבטון של עמיגור, לרוץ באימה לאורכו של בית חולים הגפן, להתגלגל בדיונות, להתנשק בקולנוע העצמאות.

לנוכח ההשקעות המסיביות בנדל"ן והפופולריות הגוברת של תוכניות ההתחדשות העירונית בעשור האחרון, עולה הצורך לגבש את הסיפור העירוני הייחודי של העיר ולברר מהו בדיוק הדבר ה"בת־ימי" החמקמק הזה; מה בהיסטוריה הבנויה של בת ים ראוי לשימור וממה אפשר להיפרד למען פיתוח והתחדשות. זו העת לשאול מהו הסיפור שבת ים רוצה לספר; זו העת לחשוב את בת ים כפרוזה.

ד"ר דפנה לוין היא אדריכלית וחוקרת התחדשות עירונית. במסגרת תפקידה כמנהלת היחידה לתכנון אסטרטגי בעיריית בת ים היא הובילה את תוכנית השימור של העיר; הספר הזה הוא תוצר של עשייה מרתקת זו. ספריה הקודמים: המרחב השלישי (רסלינג, 2016); בית אינו אפס עיר (הטכניון, 2022); דֶלפין (הקיבוץ המאוחד, ספריית פועלים, 2023).

אדריכלות בכפכפים: בת ים 1990-1920
דפנה לוין
Architecture in Flip-Flops: Bat Yam, 1920-1990
Daphna Levine
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